No. 20
Summer 1999
The Summer 1999 issue (number 20) of the "Women in Bluegrass" newsletter. It features a list of the women nominated for IBMA award, an article on feminist theory applied to the barriers for women in bluegrass, and a multi-perspective discussion on the polarizing subject of performing bluegrass without an instrument
In this issue
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Greetings!
by Murphy Hicks Henry Murphy introduces the issue with a personal reflection on her now grown children leaving home.IBMA Awards Nominees by Murphy Hicks Henry A list of women nominated for IBMA awards, noting progress but a persistent gender gap.Ask and It Shall be Given: Women on the Charts by Murphy Hicks Henry A report on the strong showing of albums by women on the Bluegrass Unlimited airplay charts.Inside by Murphy Hicks Henry A preview of the issue's contents, highlighting the central debate on women performing without instruments.
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BARRIERS IN BLUEGRASS
by Casey Henry Casey Henry uses feminist theory to analyze why so few women become professional bluegrass musicians, citing a male-dominated culture, lack of role models, and unsafe learning environments.
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Obituary
Terry Boswell by Murphy Hicks Henry A notice about the passing of singer and guitarist Terry Boswell.
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Mixing It Up
by Nancy Hicks Pate Nancy Pate recounts her first experience mixing a record and learning the specialized vocabulary of sound engineers.
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"To Pick or Not to Pick"
by Murphy Hicks Henry Murphy introduces the controversy around female bandleaders performing without instruments, framing it as a potentially gender-related issue.No Boundaries in the Creative Process by Valerie Smith Valerie Smith defends her choice to focus on singing, arguing the voice is a valid instrument and her decision is based on showcasing her band's best talents.The Human Voice Is an Instrument by Jeanette Williams Jeanette Williams explains that she doesn't play on stage because her instrumental skills aren't yet at the professional standard she demands for her audience.
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Timeless Music, Changing Times
by Suzanne Thomas Suzanne Thomas argues that while learning an instrument was necessary for her generation to gain credibility, perceptions need to change with the times.
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Built for a Woman
by Joann Sanders Loehr Joann Sanders Loehr discusses the physical challenges of playing mandolins designed for men and consults a luthier about building an instrument suited to her strength.
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What's the Problem!
by Murphy Hicks Henry Julie Koehler questions the criticism of non-instrumentalists, arguing that the voice is an instrument and talented people should be encouraged.
Photos
- Casey Henry, Murphy Hicks Henry, page 3. Photographer unknown.
- Danette Tew, page 5. Photo: Garland Gobble.
- Sara Watkins, page 6. Photo: Garland Gobble.
- Vicki Simmons, page 6. Photo: Garland Gobble.
- Pam Gadd, page 7. Photo: Garland Gobble.
Mentioned in this issue
Bands / Ensembles
ClearwaterIsaacsLaurie Lewis and Her Bluegrass PalsNickel CreekPam Gadd & The Long RoadValerie Smith and Liberty Pike
Book
Come and Go, Molly SnowIn a Different VoicePowers of Desire
Education / Institutions
Full Sail UniversityUniversity of Virginia
Labels / Record Companies
Doobie Shea RecordsHorizon RecordsM.R. RecordsPinecastle Records
Other Works / Media (Album)
Cherry Blossoms in the SpringtimeDear Friends and Gentle HeartsIncrease My FaithMy Place in the SunNow That I’ve Found You: A CollectionOld Southern PorchesSo Long, So WrongSpiritedWalkin’ In My Shoes
Other Works / Media (Recording)
Break My HeartIn His Arms I’m Not AfraidRed Clay HaloRemember Me
Person
Eddie AdcockMartha AdcockTim AustinKristin Scott BensonTerry BoswellDale Ann BradleyGena BrittStephen FraleighCasey HenryChris HenryMurphy Hicks HenryKathy KallickJulie KoehlerAlison KraussLaurie LewisClaire LynchSally Van MeterBill MonroeLynn MorrisNancy Hicks PateMissy RainesDavid RawlingsValerie SmithMary Ann Taylor-HallSuzanne ThomasRhonda VincentSara WatkinsGillian WelchJeanette WilliamsJohnny Williams